2020 — Features — Cinema As We Know It

Best of the Rest - 2020

Each year, the Cinema As We Know It writing team publishes features for our personal top ten films in tandem with our favorite scenes and performances. However, no matter how much write for those features, there are always a handful of achievements that fall outside their purview. While we don’t have dedicated lists for each and every category under the sun, we still want to recognize a few items from last year that we think deserve notice. Loosely, this feature is a forum for us to write about the categorical ‘other’ in the media landscape, so for one reason or another, these are the best of rest for 2020.

Best Scenes of 2020

Every year we watch hundreds of films that contain thousands of scenes within them, and through it all, we come away with a handful of moments that stick with us. They contain the one liners, the gut punches, the tear-inducing, pull on your heartstrings, make you want to cry and you don’t know why moments that leave lasting impressions on us for days or even weeks at a time. Whether it be a climatic revelation, a subtle moment of directorial brilliance, or a poignant punctuation to conclude a film, these scenes scenes display a creative, technical, and thematic mastery that we simply can’t stop thinking about. As selected by our writing team, these are our favorite scenes of 2020.

Best Performances of 2020

Taking what’s on the page and performing at the behest of the director, actors serve as the conduits for with which a film’s message is channeled. This year saw no shortage of performances that do just that. While it’s difficult to string a unifying theme between actors and their performances in a single year, what remains consistent, year over year, is that we get to see life on the screen in ways that help us better understand ourselves and others. It’s one way we become sympathetic to the world around us, and it’s the actors we have to thank for it. From rising talents to career bests, these are our favorite performances of 2020.

Megan's Top Ten Films of 2020

I wasn’t breaking any Letterboxd records with my new viewing habits this year. There were times when film felt inappropriate to the moment, or stood as a reminder of unbearable reality, or just didn’t play nice with new schedules. I’m glad others found inspiration, solace, and comfort in film, but admittedly it was a challenge for me to sit through a 90 minute experience. But when the mood struck, it was an interesting exercise to get so exploratory about finding new films. I look forward to a time where film feels right again, and when we’re able to enjoy it together. Until then, here are the ones that were the most important to me this year.

Theo's Top Ten Films of 2020

This last year I’ve needed movies more than ever, and I’ve also noticed a few interesting effects that 2020 has had on my film-watching habits – aside, that is, from the fact that I saw none of the movies on this list in a cinema. With most of 2020 spent locked up indoors, I started relishing the little incidental bits of audio-visual information that graced my screen. At the same time, the dismaying responses to local and global political circumstances have only intensified my desire for a cinema that is both attentive to the realities of everyday life and critical of the various systems that govern our lives, and I think the films I’ve designated as my top ten of this year reflect that.

Kevin's Top Ten Films of 2020

It’s hard not to view this year in movies in the context of the year of 2020. Many of these features are what we turned to when things went the worst. They took us far away from the present or sometimes felt like reflections of our current state. This year graced us with a number of great films, and it is crushing that none of my favorite films screened in a movie theater this year. But that doesn’t mean that there wasn’t an abundance of excellent entries to talk about. So without any further ado here are my top ten films from 2020.

Greg's Top Ten Films of 2020

2020, a sinisterly bad year. While the world caught fire all at once and every facet of normalcy went up in flames, cinema was a true comfort in these troubling times. The last 365 days were a challenge all their own, full of hardship and loss, but from the other side, I can say I appreciate the movies that made things a little easier on the days that couldn’t get any worse. The sheer act of ranking art with numerical values is in and of itself a contradiction, but these ten films prove that, even when the world turns sideways, cinema will always be there to renew faith in our collective existence, now and into the future.

New Around Here : November - December Theme

You only get one chance to make a first impression. For our November - December theme we’re focusing on directorial debuts, films that immediately left an impression and inscribed the director’s name on everyone’s watchlist. These films broke rules and gave us perspectives that only come from a fresh pair of eyes and the desire to prove your worth. Debuts that declared, “My name is ________ ________. And I have something to say.” If there’s only the one first impression, then these nine films showed themselves to be unforgettable, and part of their legacy would be us returning to them and their directors over and over again.

New York Film Festival 58 Review Feature

For fifty-eight years, the New York Film Festival has been a bellwether for cinema. Despite the coronavirus preventing the traditional in-person event, the resilient team at Lincoln Center still managed to put on this year’s iteration with stunning success. A well-executed virtual cinema made this year’s incarnation more accessible than ever before, including for us. From the safety of our homes and on the other side of the country, we were able to watch selections from the 58th New York Film Festival and provide coverage for a handful of films.

Bump in the Night : September - October Theme

Did you hear that? There was… a noise… a murmur emerging from across the house. Probably nothing you tell yourself. But you can never be sure of a BUMP IN THE NIGHT. For our September & October theme, we’re picking a selection of some of our favorite horror films. Slashers, creature features, home invasions, 80s camp, Cronenberg body horror, final girls, and the like find their way on this list, and while we could make this list a hundred times over, we managed to select just eight for your consideration.

Fantasia 2020 Capsule Reviews

For the 24th installment of the Fantasia Film Festival, the entire event is moving online. The annual gathering in Montreal, Canada known for assembling the best in genre filmmaking continues its legacy in 2020 by showcasing some of the strangest, weirdest, most rule-breaking, out-there films created in the last year. For the next ten days, we’ll be covering as many films as we can from our quarantine bunkers and sharing our thoughts on what we’ve seen. Come back daily to see what we’ve been watching from this year’s virtual Fantasia film festival.

Festival Coverage, FeaturesCinema As We Know ItAugust 19, 2020Fantasia, Fantasia2020, 2020, Kevin Conner, Greg Arietta

Hanging It Up: The Last Dance and Hoop Dreams

In an extended essay, Kevin Conner writes about Michael Jordan’s lasting legacy as presented in The Last Dance and what it means for aspirational athletes documented in Hoop Dreams. If the dream is to become the greatest of all time, what’s the cost of achieving it?

Features, EssaysKevin ConnerJuly 26, 20202020, Kevin Conner, Essays, Features, The Last Dance, Hoop Dreams

Hot Summer Nights : July - August Theme

This month’s theme is dedicated to the films that feel like summer more than anything else. On the surface, they bear the hallmarks of the summer time — endless sunshine, coastal beaches, seasonal vacations — but underneath they distill the essence of the season and capture the memories made therein. These films can take us back to simpler times when all we had to worry about were the plans for the next day and who it would be with, because even though summer comes around every year, it’ll never be the same as those Hot Summer Nights.

Medicine for Melancholy : May - June Theme

Right about now we could all use a little pick me up. Staring down at the problems in front of us and looking out into the future ahead, it’s hard to stay optimistic, but if there’s anything we’ve come to know about cinema is that it has the unique ability to transplant us elsewhere. Our May and June theme is focused on films that can change the mood for the better, films that to their core inspire unrelenting joy, happiness, and elation like no other.

‘Bull’ Interview with Director Annie Silverstein

In the days following SXSW’s cancellation, we sat down with two time Cannes attendee, Annie Silverstein, to talk about her latest film, Bull. In our conversation, we discussed the five year creative process going from short to feature, the influences that inspired her characters, and how the film recontextualizes the Western genre with new faces.

SXSW 2020 Capsule Reviews

South by South West was unfortunately canceled this year. It was bummer not only for us, but more so for the filmmakers who were ready to show their work to audiences, launch their careers, and be discovered. Over the next ten days, we too will be proceeding with coverage and writing about as many films as we can. It’s a small gesture, but the least we can do in light of this situation.

SXSW 2020 Preview

There are hundreds of feature films and shorts out there waiting to be seen at this year's SXSW festival. We passed through the schedule, narrowed down a handful that peaked our interest, and wrote about them for you to keep on your radar. Whether it’s a film from talent we know, or maybe it just has a good premise, these are the prospects that we find most promising.

In the City : March - April Theme

For this month’s theme, we’re selecting films that put particular emphasis on concrete jungles, films where the city itself becomes not just a location, but also a character. We may be following the lives of protagonists on screen, but it’s place they inhabit that plays just as much an important role as they do. We hate the traffic, the loud noises, and the lingering pollution, but we’ll be damned if we ever trade the metropolitan madness for suburban life. Because it’s the city, and there’s nothing like it.

An Interview with Eddie Muller, The Czar of Noir

In the days leading up to Seattle’s Noir City at SIFF, we sat down with the Czar of Noir himself, Eddie Muller, to discuss the festival’s history, the contemporary social underpinnings in this year’s lineup, audience’s undying fixation on the genre, and the borderless unification noir has on us all.

Youth in Revolt : January - February Theme

Over the next nine weeks, we’re selecting films that depict younger generation rejecting conformity and igniting rambunctious rebellions at the hands of being misunderstood. Acting on your own accord, disobeying authority, and maybe busting out a hardy cry or two at the alienation felt inside, these films aren’t afraid to reject the authoritative hypocrisy felt by younger generations, because sometimes being seen means being who you are. Acting out never felt so right when you’re a Youth in Revolt.