Review: ‘Top Gun: Maverick,’ A Jaw-Dropping Blockbuster for the Ages
Review: Alex Garland’s 'Men' Looks at the Trauma Inflicted on Women by Men
Review: The Daniels Unleash All Manner of Multi-verse Chaos in ‘Everything Everywhere All at Once’
Review: ‘X’ Has The X-Factor
Review: Kogonada’s Sophomore Feature ‘After Yang’ Explores the Nuances of Cultural Identity
NYFF 59 Review: ‘Red Rocket’, The American Dream Comes Home
Review, Editor's ChoiceDante HayNYFF, Review, 2021, NYFF59, Editor's Choice, A24, Sean Baker, Dante Hay, Red Rocket, Simon Rex
Review: ‘Minari’ Lays the Roots of the Immigrant Experience
NYFF 58 Review: Sofia Coppola Returns to the Father Daughter Relationship and Personal Insecurities in 'On the Rocks'
Review, Editor's ChoiceGreg Arietta2020, NYFF, NYFF58, Review, Editor's Choice, Greg Arietta, Apple, AppleTV+, A24, On the Rocks, Sofia Coppola
Review: 'Boys State' Assesses the Entrenched Demagoguery of American Politics
Review: The American Way of Winning in the Safdie Brothers’ ‘Uncut Gems’
Editor's Choice, ReviewGreg AriettaJosh Safdie, Benny Safdie, Adam Sandler, A24, Uncut Gems, Kevin Garnett, Idina Menzel, 2019, Greg Arietta, Review
Review: A Prescription for Love and Healing from Trey Edward Schults’ ‘Waves’
ReviewGreg AriettaWaves, A24, 2019, Trey Edward Schultz, Kelvin Harrison Jr., Taylor Russell, Lucas Hedges, Renée Elise Goldsberry, Sterling K. Brown, Greg Arietta, Review
Review: When You Love A City That Doesn’t Love You Back, ‘The Last Black Man in San Francisco’ Answers
Review, Editor's ChoiceGreg AriettaA24, The Last Black Man in San Francisco, Joe Talbot, Jimmie Fails, 2019, Emile Mosseri, Danny Glover, Jonathan Majors, Editor's Choice, Greg Arietta, Review
