Review: Heroic Optimism Carries ‘Wonder Woman 1984’ Through the Finish Line
Review: Get Busy Living or Get Busy Dying with ‘Soul’
Review: Review: The Impression of Herman J. Mankiewicz in David Fincher’s ‘Mank’
Review: Chipping Away the Hard Shell of ‘Ammonite’
NYFF 58 Review: Plights of the Rich and Irritable Come to Pass in ‘The French Exit’
ReviewGreg Arietta2020, Greg Arietta, Review, NYFF58, NYFF, The French Exit, Lucas Hedges, Azazel Jacobs, Michelle Pfeiffer, Imogen Poots, Tracy Letts
TIFF Review: The Residential Monument of ‘City Hall’
NYFF 58 Review: Let ‘Gunda’ Lull You Into Life on the Farm
TIFF Review: ‘Fireball: Visitors from Darker Worlds’ is an Enlightening Expedition
TIFF Review: ‘Wolfwalkers’ Brings Folklore to Life Through Traditional Animation
NYFF 58 Review: The Dance Floor is Infectious in Steve McQueen's 'Lovers Rock'
NYFF 58 Review: Almodóvar’s ‘The Human Voice’ Runs the Emotional Gauntlet of Post-Breakup Sentiments
NYFF 58 Review: The Power of Storytelling Takes Center Stage in Philippe Lacôte’s ‘Night of the Kings’
Review: Don’t Lose Yourself to the ‘Possessor’
NYFF 58 Review: Exploring Inward and Outward in ‘Nomadland’
NYFF 58 Review: Steve McQueen’s 'Mangrove' Rallies Against Injustice
NYFF 58 Review: Sofia Coppola Returns to the Father Daughter Relationship and Personal Insecurities in 'On the Rocks'
Review, Editor's ChoiceGreg Arietta2020, NYFF, NYFF58, Review, Editor's Choice, Greg Arietta, Apple, AppleTV+, A24, On the Rocks, Sofia Coppola
Review: ‘I’m Thinking of Ending Things,’ Charlie Kaufman’s Subterfuge of the Human Condition
Fantasia Review: Get Your Thriller Fix with ‘Legally Declared Dead’
