Review: “Navel Gazing” in ‘The Lost Daughter’
ReviewIvy Pottinger-Glassreview, 2022, The Lost Daughter, Maggie Gyllenhaal, Netflix, Olivia Colman, Paul Mescal, Ed Harris, Jessie Buckley, Dakota Johnson, Ivy Pottinger-Glass
Review: Adam McKay Hits An All-time Low with ‘Don’t Look Up’
Review: ‘Army of the Dead,’ A Perfectly Serviceable Zombie Heist Action Flick
Review: ‘Love Death + Robots Vol. 2’ Continues Delivering the Goods
Review: Review: The Impression of Herman J. Mankiewicz in David Fincher’s ‘Mank’
Review: ‘I’m Thinking of Ending Things,’ Charlie Kaufman’s Subterfuge of the Human Condition
Review: Tortured Emotions from Tortured People in Noach Baumbach’s Emotional Devastation, ‘Marriage Story’
Review, Editor's ChoiceGreg Arietta2019, Adam Driver, Scarlett Johansson, Noah Baumbach, Marriage Story, Netflix, Laura Dern, Ray Liotta, Greg Arietta, Review
Review: The Affectionate Love Letter Found In Alfonso Cuarón’s ‘Roma’
Review: The Coens Combine Anthology Short Films with the Wild West in ‘The Ballad of Buster Scruggs’
ReviewGreg Arietta2018, Coens, Joel Coen, Ethan Cohen, Harry Melling, James Franco, Liam Neeson, Netflix, The Ballad of Buster Scruggs, Time Nelson, The Coen Brothers, Zoe Kazan, Greg Arietta, Review
Review: 'Shirkers' Is An Avant-Doc Master Work
Review: Cary Fukunaga’s 'Maniac' Tackles Mental Health Like No Other
Review, Editor's ChoiceGreg Arietta2018, Netflix, Cary Fukunaga, Jonah Hill, Emma Stone, Maniac, Editor's Choice, Greg Arietta, Review
